Do you remember how it was to be whole?

Monday, March 23, 2009

Do you remember how it was to be whole?

I remember it like the thin, unaffected air
of spring, personal,
that traces over ribs like a dripping frost.

I remember it like the blushing anticipation
in the moment before that first,
most immature kiss.

Or like waking up alone
before you realize that you fell asleep.

Age is this tragic exchange:
potential for opportunity,
security for identity,
belonging for autonomy.

I imagine myself a ball on a roulette wheel
and wonder why I should care about my number
after I stop.
Today, the twirl is dizzying and
I inhale the disorientation,
but some days,
gratitude that I can catch the warmth
in the long desert of my skin
is not enough; nothing matters.

Those days, I dream of jumping ship
to backstroke, trading this earthquake mind
for a heart like cotton pajamas.

The closest I can come to
regression into my childhood
is indulgence in my fantasy,
neglecting reality’s shower curtain
and letting the suds of
bathwater spill onto the floor
until I melt into them.
I can’t tell where the universe ends and I start.

Maybe the world is an organism
and we are scampering its circulation.
Maybe we touch so that when we’re alone
we don’t forget what it feels like to
be part of something more complex than we are.

Maybe we’re all broken,
malfunctioning, missing pieces,
unprotected, unsafe, discontent,
sabotaged, emotional, hurt, burdened,
haunted, misinformed, or just plain weird;
but we are all one being. There is
no distinction between the atoms around us
and the atoms of us.
When we change, everything changes,
that configuration of the universe is lost.
So handcuff it to the bedpost of your recollection.
Tattoo it across the forehead of your character.
If you don’t, no one will.

Do you remember how it was
to have something you could look forward to?
The only things I remember are
the sound of expectation crumbling
like a handful of bone fragments
and the smell of contamination
from the water in the tub
before the humidity forced
the fiberglass to crack.

Which parts of our Potato Head personalities
did we exchange to be ourselves?
Didn’t you want to be an astronaut?
What happened?
Why did you stop going to your ballet lessons?
You were the best in the class.
When did we trade our potential for opportunity?
Why did we give up our aspirations for addictions?
What uninspired vessels are these adult bodies
that we have been commissioned to pilot?

Every day I have a staring contest with a different person
through the window above the sink:
more creases in the furrow of his brow,
shoulders held higher, muscles a little tighter.
He recognizes me only as the manifest of
the rolling tidal wave of his fate,
preparing to him return home.

We are all standing between two bookends of nonexistence,
and every day they pull closer together.
And the claustrophobic reality is
there is nothing
we can do to stop it.

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Weekend of Slams

Monday, March 9, 2009

As I mentioned, over the weekend I competed in two poetry slams.

The first was Saturday night at Mocha Match. The slam was crazy. One of the judges stormed out in the middle of the first round, which never bodes well for consistency. Plus, I drew the first slot in the slam. It didn't go very well. I was cut after the second round and therefore did not make the Art Amok team.

So on Sunday night I headed to Java Monkey in an attempt to keep my slam season alive. I needed to place first or second in order to qualify for the team selection slam there. I finished second behind Gypsee Yo, who continues to astound me every time she performs. The night was exhilarating.

So come April 12th, I will square off with a number of Atlanta's best poets for a spot on the Atlanta slam team. And, dammit, I want to go to nationals.

Dammit.

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Art Happens

Sunday, March 1, 2009

It is now March, which means that my songwriting marathon has come to its end. As a reminder, the goal was to write fourteen songs in the twenty-eight days of February. I completed ten which, while it does not technically constitute completion, far surpasses my showing last year.

Over the next couple of months, I intend to edit and record the ten songs I wrote in February along with a couple of others I have sitting around. Hopefully this will lead to another full LP relatively soon.

Until more music starts popping up, listen to the demo versions of Black Sheep, Photos Rip, and Cold Open.

On another note, I will be competing in two poetry slams next weekend: the Art Amok team selection slam on March 7th and the final qualifier slam at Java Monkey on March 8th.

In summation, art happens a lot.

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